Cabaret Shower live: Hooray, We Still Disturb! in Mannheim
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Hooray, We Still Disturb: Cabaret Shower Brings Mannheim to Political Smiling
When everyday life already seems ripe for cabaret, Cabaret Shower takes it a step further. With Hooray, We Still Disturb!, the Mannheim ensemble presents its 54th program on October 23, 2026, at Klapsmühl' am Rathaus. Josefin Lössl, Wolfgang Schmitter, and Hans Georg Sütsch combine sharp observations, pointed dialogues, and political cabaret for an evening where laughter is guaranteed to be loud.
Satire with Attitude and Precise Timing
The new program takes aim at the present: with a sharp eye, dry humor, and that fine portion of contradiction that characterizes good cabaret. Cabaret Shower stands for political satire, social observation, and punchlines that do not stay on the surface for long. Here, reality does not get a wellness treatment, but a thorough stage analysis.
At the center are Josefin Lössl, Wolfgang Schmitter, and Hans Georg Sütsch. Their interplay thrives on changing roles, precise timing, and visible joy in performance. Sometimes the punchline lands directly, sometimes it sneaks up seemingly harmlessly and hits exactly where the audience is already laughing about their own present.
A Laugh Experience for Cabaret Fans
The comedy atmosphere of Klapsmühl' am Rathaus fits perfectly for this evening: approachable, direct, and with enough room for spontaneous audience reactions. Between political cabaret, ensemble comedy, and satirical scene sequences, a lively stage evening emerges that engages the mind and the diaphragm alike.
Those who enjoy stand-up with personal engagement will find a cabaret variation with ensemble dynamics here. Those who appreciate political punchlines will experience an evening with attitude. And those who simply want to laugh heartily about the ordinary madness are also in the right place.
Wolfgang Marschall Directs
The text and direction come from Wolfgang Marschall. This gives the 54th program a clear dramatic line: scenes alternate with pointed observations, the pace remains dynamic, and the interaction of the characters carries the evening. The production relies on wordplay, presence, and a precise feel for the moment in front of the audience.
Conclusion: Cabaret that Gets Involved
Hooray, We Still Disturb! promises a satirical evening for all who prefer to dissect social issues with humor rather than with a raised finger. At Klapsmühl' am Rathaus, political cabaret, strong stage presence, and pointed ensemble work meet an audience that likes to think along and even more prefers to laugh. This laugh experience belongs live on stage and in front of an audience.
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