Salty Irina at Theaterhaus G7: A Love Story Against the Right Turn


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Love, Resistance, and the Heat of a Burning Present
On the roof of an occupied house in a medium-sized German city, Eireni and Anna spend their days and nights between adventurous longing, political idealism, and the first electrifying moments of their love. But while the two young women dream of a shared future, people from their environment begin to disappear. The lightness of summer turns into a dangerous political seriousness.
A Queer Love Story Under the Pressure of Reality
Eve Leigh combines in Salty Irina – Burnt Land a touching coming-of-age story with a precise analysis of racist violence and the new right-wing turn. When the police do not consistently pursue the crimes, Anna and Eireni decide to investigate themselves. Their path leads them to the summer camp of a völkisch movement, where they must pose as young right-wingers without revealing their identity and their feelings for each other.
Political Theater with Dramatic Tension
The production unfolds its effect from the contrast between romantic closeness and growing threat. The rooftop landscape of the occupied house stands for freedom, improvisation, and communal departure. In contrast, the right-wing summer camp creates an atmosphere of apparent normality, where ideological violence hides behind rural idyll, rituals, and harmless gestures. It is precisely this shift that makes the dramaturgy so oppressive: The dangerous does not present itself as an exception but disguises itself as everyday life.
Acting Art Between Tenderness and Confrontation
At the center are two women whose relationship does not appear as a subplot but forms the emotional motor of the evening. The acting thrives on rapid dialogues, contradictory impulses, and the palpable tension between intimacy and political responsibility. The stage experience leads the audience into a space where a first kiss and the question of societal resistance stand immediately side by side.
An Outstanding Play About Solidarity
The play was performed in 2023 in the English original under the title Salty Irina at the Edinburgh Fringe Festival. The German version by Henning Bochert was awarded the Nestroy Prize for Best Play in 2025. Eve Leigh finds an unusual approach to the topic of right-wing extremism: The focus is not on male neo-Nazi figures but on two young women whose love, courage, and solidarity become a resistant force.
Audience Proximity Instead of Political Instruction
The production relies on concrete situations, sharply drawn dialogues, and a theatrical atmosphere where the audience directly experiences the moral dilemmas. The question is not only how right-wing violence arises but also what individuals and a community oppose it. Thus, Burt Land connects political urgency with emotional accessibility.
Conclusion: An Evening That Resonates
Salty Irina – Burnt Land promises an intense stage experience about love, racism, resistance, and the power of communal action. The Theaterhaus G7 becomes the resonance space of a story that is told with tenderness, anger, and alertness. Those who want to experience contemporary stage art with societal relevance will find an evening here that echoes long after the final applause.
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