When can the exhibition Pieces for Works be seen?

The exhibition can be seen from April 2, 2026, to January 10, 2027, at the Kunsthalle Mannheim.

What is the admission fee?

The regular admission fee for the collection and special exhibitions is 16 euros. Discounts and other pricing models are offered by the Kunsthalle Mannheim.

Which artworks are the focus?

Alexander Tillegreen developed ten sound works for selected sculptures, works on paper, and paintings from the collection, including works by Auguste Rodin, Rosemarie Trockel, Francis Bacon, Edvard Munch, and Louise Nevelson.

Is the exhibition indoors?

Yes, the exhibition takes place in the indoor spaces of the Kunsthalle Mannheim.

When does the Kunsthalle Mannheim open?

The Kunsthalle is open from Tuesday to Sunday and on public holidays from 10 AM to 6 PM. On the first Wednesday of the month, extended hours are until 10 PM.

How does the exhibition differ from a classic painting exhibition?

The exhibition combines the consideration of works with site-specific sound installations. This creates a shared aesthetic experience of image, sculpture, architecture, and hearing.

Alexander Tillegreen Makes Art Audible: An Extraordinary Art Experience in Mannheim

Name: Alexander Tillegreen – Pieces for Works
Start: 2026-10-23T10:00:00+02:00
End: 2027-01-10T18:00:00+01:00
Location: Kunsthalle Mannheim

When Art Begins to Sound: Alexander Tillegreen at the Kunsthalle Mannheim

With the exhibition Pieces for Works, the Kunsthalle Mannheim transforms its spaces into a multifaceted resonance space for visual art, architecture, and sound. The Danish artist and composer Alexander Brix Tillegreen, born in 1991 in Taarbæk, develops ten site-specific sound works that coexist as independent artistic works with selected pieces from the collection.

A Dialogue between Image, Space, and Hearing

Tillegreen selected sculptures, works on paper, and paintings from the Kunsthalle Mannheim as compositional starting points. This includes works by Auguste Rodin, Rosemarie Trockel, László Moholy-Nagy, Anna Mahler, Francis Bacon, Edvard Munch, Isa Genzken, Édouard Vuillard, and Louise Nevelson. The exhibition expands the classical consideration of works to include a physically perceptible acoustic level.

Sound as an Independent Artistic Form

The sound installations draw from elements of contemporary classical music, psychoacoustic phenomena, field recordings, and experimental instrumentation. Texture, spatiality, rhythm, and layering are translated into auditory structures. Language, musical references, and performative sound events open up suggestive, symbolic, and connotative layers of meaning.

An Aesthetic Experience for Eyes and Ears

Alexander Tillegreen's artistic practice operates between painting, printmaking, sculpture, video, composition, and sound installation. His works investigate how perception, abstraction, and embodied listening create meaning. In Mannheim, this results in an art experience that sharpens attention and re-experiences the relationship between collection, space, and memory.

Kunsthalle Mannheim as a Resonance Space

The curation aligns with Mannheim's designation as a UNESCO City of Music. Architecture is not merely an exhibition environment but an active component of perception. Between quiet concentration and subtle acoustic shifts, an exhibition atmosphere develops in which visitors experience images, sculptures, and sound installations with growing sensitivity.

Conclusion: Experience Contemporary Sound Art Live

Pieces for Works invites art enthusiasts as a precisely composed connection of collection, space, and music. The exhibition offers cultural education, art historical connections, and an intense aesthetic experience beyond familiar ways of viewing. Those looking to rediscover the Kunsthalle Mannheim with eyes and ears should visit this special art experience live.