When does the exhibition take place?

The exhibition runs from July 24, 2026, to November 8, 2026. The indicated visit date is September 12, 2026, at 10:00 AM.

How much is the admission fee?

The regular admission to the Kunsthalle Mannheim is 16 Euros. Discounts and free admissions are possible, depending on the respective visitor group.

Are there guided tours of the exhibition?

Yes, the Kunsthalle Mannheim offers public tours and a mediation program. According to the official price overview, public tours start at 6 Euros.

Is the Kunsthalle Mannheim accessible?

The Kunsthalle Mannheim provides information about accessibility on its visitor page. For specific needs, it is advisable to check the official visitor information or make a direct inquiry to the museum.

How do I get to the Kunsthalle Mannheim?

The Kunsthalle is located at Friedrichsplatz 4 in the center of Mannheim and is easily reachable by public transport and by car.

Can I take photographs in the exhibition?

According to house rules, photographing without flash in the collection for private purposes is permitted. For special exhibitions, the current museum rules apply.

Printmaking as World Knowledge: Mannheim Showcases Masterpieces from Dürer to Piranesi

Name: From Dürer to Piranesi – Print Graphics from the Mannheim Collection Anton von Klein (1746 – 1810)
Start: 2026-09-12T10:00:00+02:00
End: 2026-11-08T18:00:00+01:00
Location: Kunsthalle Mannheim

A Journey Through the Art of Printmaking from Dürer to Piranesi

The exhibition From Dürer to Piranesi – Print Graphics from the Mannheim Collection Anton von Klein (1746–1810) offers a fascinating glimpse into European printmaking and a collector who understood images as a means of imparting knowledge. At the Kunsthalle Mannheim, an artistic experience unfolds that impressively combines art history, enlightenment, and aesthetic experience.

Anton von Klein and the Idea of the Educated Gaze

Anton von Klein served as a professor of the “fine sciences” at the court of Elector Karl Theodor and collected graphics with remarkable foresight. His collection arrived at the Kunsthalle Mannheim in 1922 and unites works by notable artists such as Albrecht Dürer, Hendrick Goltzius, Bernhard Rode, and Giovanni Battista Piranesi. Around 80 sheets make visible how printmaking organizes knowledge, shapes visual thinking, and makes art historical developments comprehensible.

Between Line Art, Narrative Power, and Spatial Impact

Those who engage with this exhibition encounter not only fine line layers and virtuoso light-dark contrasts but also the great narrative power of graphics. Dürer's precise compositions, Goltzius’ ornamental energy, and Piranesi’s architectural image worlds open various chapters of European art history. Particularly in the medium of printmaking, it becomes evident how strongly form, technique, and mentality interact.

A Museum Visit with Historical Resonance

The Kunsthalle Mannheim is an ideal place for such works of art to be contemplated. As one of the early citizen collections of modernity, it combines museum education, collection depth, and architectural presence into a dense exhibition atmosphere. The house on Friedrichsplatz offers the right setting for an exhibition that does not make a loud appearance but convinces with intellectual precision and quiet elegance.

Why the Visit is Worth It

This exhibition is aimed at all who want to not only see print graphics but also read them: as cultural memory, as a medium of enlightenment, and as an art form of timeless sophistication. Those who value art, curation, and art historical contexts will find here a cleverly composed format with high educational value.

Conclusion: From Dürer to Piranesi makes visible how lively printmaking has remained over centuries. The exhibition invites visitors to discover masterpieces in the original, rethink historical contexts, and experience the Kunsthalle Mannheim live.