Experience Printmaking from Dürer to Piranesi at the Kunsthalle Mannheim

Event: From Dürer to Piranesi – Printmaking from the Mannheim Collection Anton von Klein (1746 – 1810) in Kunsthalle Mannheim, Friedrichsplatz 4, 68165 Mannheim on 2. October 2026

Date and Time

2. October 2026 10:00

Location

Kunsthalle Mannheim
Friedrichsplatz 4, 68165 Mannheim-Schwetzingerstadt, Deutschland

Price

16,00 €
Book Tickets

About this Event

Exhibitions & Museums

Mood

Relaxed

Venue Type

Inside

Discover Printmaking as an Art of Knowledge from Dürer to Piranesi

The Kunsthalle Mannheim presents From Dürer to Piranesi, an outstanding selection from the graphic collection of Anton von Klein. About 80 prints lead through European printmaking and make visible how closely aesthetic experience, education, and knowledge transfer were connected in the Age of Enlightenment.

A Collection Between Artistic Sensibility and Scholarship

Anton von Klein was a professor of the so-called fine sciences at the court of the Elector Karl Theodor. With a keen sense, he used images to vividly convey historical, scientific, and cultural connections. His extensive collection arrived at the Kunsthalle Mannheim in 1922 and serves as the starting point for this exhibition.

Masterpieces of European Printmaking

The exhibition brings together works by Albrecht Dürer, Hendrick Goltzius, Bernhard Rode, and Giovanni Battista Piranesi. Copperplate, etching, and other graphic techniques do not appear merely as reproduction media, but as independent forms of artistic expression. Precise lines, finely graded light-dark values, and complex spatial compositions open up an intense examination of the works.

Line, Light, and Spatial Effect

In the atmosphere of the exhibition, printmaking unfolds a special concentration. The mostly small-format prints require an attentive gaze and reward it with a wealth of details: architectural visions, dynamic figures, ornamental structures, and carefully modeled landscapes emerge from the paper. Especially Piranesi's imagery demonstrates how etching can become an art of dramatic space.

Art Historical Classification and Cultural Education

The exhibit spans a range from the Renaissance to the late 18th century. It makes developments in European printmaking comprehensible and shows how the function of images shifted between religious perception, scholarly knowledge organization, and autonomous aesthetics. The curation by Dr. Ursula Drahoss, with curatorial assistance from Alessia Tardivo, combines art historical precision with an accessible exhibition experience.

Conclusion: A Concentrated Art Experience in Mannheim

Visitors can expect an exhibition that makes printmaking an experiential, intellectual, and educational medium. Those who wish to experience the effects of line, paper, light, and composition directly will find an impressive opportunity for aesthetic experience at the Kunsthalle Mannheim. A visit is worthwhile for art enthusiasts, families, students, and all those who want to discover European art history in the original.

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