When does Gerd Reutter. SIGNS take place?

The exhibition is open on Saturday, October 24, 2026, from 3:00 PM to 6:00 PM.

Where does the exhibition take place?

SIGNS takes place in the Atelier Gerd Reutter at Kleinfeldstraße 50, 68165 Mannheim.

What works can be seen?

Ceramic works by Gerd Reutter from the years 2015 to 2026 will be shown. The new work OUTDATED is the centerpiece.

Is the artist present?

Gerd Reutter is on site every day during the exhibition and looks forward to discussions about his art.

How long does the exhibition run?

The exhibition SIGNS can be seen from October 10 to 31, 2026.

SIGNS in Mannheim: Ceramic Art Between Fear of the Future and Transience

Name: Gerd Reutter. SIGNS
Start: 2026-10-24T15:00:00+02:00
End: 2026-10-24T18:00:00+02:00
Location: Atelier Gerd Reutter

Gerd Reutter. SIGNS: Ceramic Art Between Finitude and Renewal

In the studio of Gerd Reutter, a focused space for ceramic art, transience, and future questions opens on October 24, 2026. The exhibition SIGNS brings together works from 2015 to 2026 and leads through over a decade of artistic engagement with form, material, and human finiteness.

A Studio Becomes a Stage for Sculpture

The exhibition unfolds its impact directly at the site of its creation: In the studio, visitors encounter the ceramic works in an atmosphere that creates immediate closeness rather than museum-related distance. Between clay, surface, and fired body, a silent stage experience is created, in which each object develops its own presence.

OUTDATED: A Sign of Transience

At the center is the new work OUTDATED. Gerd Reutter responds here to physicist Stephen Hawking's prediction from 2017, according to which humanity could only survive for a limited time before the Earth becomes a blazing fireball. Crafted from clay and engobed, the object directs attention to wear, transience, and the finiteness of human action.

Dramaturgy of the Material

The dramaturgy of SIGNS is not generated through a linear narrative, but through the tension between the different years of creation. Each sculpture bears traces of its material becoming. The ceramic material thus becomes a means of expression: It preserves touch, resistance, density, and transformation.

Art in Immediate Dialogue

During the exhibition period, Gerd Reutter is present daily and invites conversation about his art. This brings a personal, open dimension to the visit. The audience's reaction arises in direct exchange with the artist and in the quiet encounter with the works.

Conclusion: Visitors can expect a compelling exhibition about fear of the future, material duration, and the fragility of human civilization. SIGNS connects ceramic form, contemporary art, and philosophical questions into a concentrated stage experience in the studio.